Brad Beyer
THE MAN IN THE MIRROR
Michael Joseph Jackson
8-25-58 – 6-25-09
“The King of Pop”
Michael was not only the most important and biggest star of his era, he was also one
the most important and significant stars of the 20th century; shaping and defining the
culture of America. His story reads like a “Hollywood” blockbuster-from the streets of
Gary Indiana to the top of the entertainment gold ring. Selling over 278 million records
worldwide; having the #2 best selling album of all time -“Thriller”; multiple grammy
awards, number 1 hits, top ten albums; films, videos, and a recent Broadway musical.
A true legend indeed.
This piece: “Man in a Mirror” takes it’s name from the song by Michael. "Man in the
Mirror" is one of his most powerful songs, released in 1988 as part of Bad. Unlike
many of his other hits, he didn’t write it himself—Siedah Garrett and Glen Ballard
did—but it became one of his most defining songs because of its message. The lyrics
emphasize self-reflection and personal change as the key to making the world a better
place.
The song’s chorus—"I'm starting with the man in the mirror / I'm asking him to
change his ways"—suggests that real transformation starts within. This tied into
Jackson’s humanitarian work and his belief in using his platform to inspire global
change. The music video, rather than featuring Jackson himself, showed powerful
imagery of social issues like homelessness, poverty, and historical movements for
justice.
The drawing shows Michael “tipping” his hat in respect and gratitude to some of the
dancers that influenced his career. You’ll see Fred Astaire, Sammy Davis Jr., James
Brown, Gene Kelly, David Ruffin, Little Richard, and Jackie Wilson. Michael’s right
foot says “Moonwalk”, which derived from the 30’s “sidestep”. The rest of his “body” is
about his dancing and moves; with some professional comments.
This theme of him tipping his hat to legendary dancers makes an interesting
connection—almost like he’s acknowledging those who came before him while also
reflecting on his own role and legacy in dance, music, and social change. It’s a title
that speaks to artistic influence, personal responsibility, and evolution
Last but not least, are the white gloves. Michael really was a true “Eye-Con” of our time.