FLOWERS delves into a captivating exploration of secrecy, hidden emotions, and the entangled com-
 

plexities of human relationships. Inspired by the close-up imagery of 17th-century golden age Dutch

flower paintings, I embark on a visual journey that intertwines the symbolism of decaying beauty, del-
 

icate insects, and the enduring power of clandestine connections.

Drawing upon the tradition of Dutch floral still-life paintings, I meticulously craft each artwork in
 

the series as hand-pulled, four-color screen prints. This technique allows me to capture the intricate
 

details and vibrant colors of the flowers, while simultaneously infusing the compositions with a sense
 

of contemporary intrigue and introspection.

The initial spark for FLOWERS originated from the iconic album cover design by Peter Saville for
 

New Order’s album Power, Corruption & Lies. The cover, featuring flowers, resonated deeply with me,
 

as it symbolized a hidden language, a secret code of emotions conveyed through the silent beauty of
 

nature.

During the creation of this series, I found myself entangled in an affair, an emotional labyrinth that
 

required secrecy and discretion. It was during this time that I discovered a profound parallel between
 

the veiled secrets embedded within the 17th-century floral symbolism and the concealed nature of my
 

own life. The flowers became a conduit through which I could express my love for someone without it
 

becoming public knowledge—an encrypted declaration of affection.

By introducing elements such as moths, ants, and the inevitable decay of beauty, I seek to amplify the
 

dichotomy between the ephemeral nature of desire and the enduring power of hidden connections.
 

These motifs serve as reminders of the fragility of secrets, the transformative passage of time, and the
 

intricate dance between attraction and vulnerability.

Through FLOWERS, I invite viewers to embark on a personal journey, to explore the enigmatic world of emotions and the untold stories hidden beneath the surface. The series serves as a visual representa-
 

tion of the unspoken, a celebration of the complexity of human relationships, and an examination of the paradoxical beauty that arises from secrecy and the longing for connection.
 

In essence, FLOWERS is an exploration of the clandestine aspects of the human experience, where the
 

17th-century flower symbolism becomes a mirror for our own concealed desires, unspoken passions,
 

and the delicate dance of love that thrives in the shadows.